Louis C.K. tells Grantland why he shoots and edits his own show, structures his business plan
If you’ve ever wondered why many people look at Louis C.K. as a flagpole for how to run a comedy career these days, this clip from his lengthy interview with Bill Simmons for Grantland’s podcast sheds some light on the process. C.K. reveals that he’s learned to operate in the realm of business that makes both himself and those writing the checks comfortable. From ticket prices vs. guarantee with venues to how he can cheaply make his critically acclaimed show Louie without really worrying the execs at FX in return for creative control.
I could watch clips of interesting people talking about interesting things like this all day.
Vernon Chatman is best known as the co-creator of the of the short-lived wonderfully bizarre comedy series Wonder Showzen on MTV and the recently pick-up-for-season-2 hopefully not short-lived wonderfully bizarre Patton Oswalt series on [adult swim] The Heart, She Holler. He’s also a staff writer on South Park and a Producer on the third season of Louie.
This year’s 
FX, the channel we know and love for delivering us edgy and off beat comedy such as It’s Always Sunny in Philadelphia, The League, Louie, Archer, Wilfred, Totally Biased with W. Kamau Bell, and I don’t know, Anger Management, the point here is they have a lot of great comedies on their channel.
Every year, the AFI Awards pick the